What is chromoskedasic painting, you ask? Photographer, Jan Cook, has the explanation of this lesser-known process and the intention behind its use in her incredible body of work, “Fugue: A Dreamlike State.” A combination of printing and painting techniques like this is sure to lure you into this deeply mysterious work.

Flashback to the Spring of 2020 — a time of the unknown, and David Scheinbaum’s latest work was born. A one-year cameraless exploration of the ENSŌ – a journey, traveling back to the essence of photography, light, and chemistry. Explore more with our article on this fascinating photographer and his latest works.

Inspired by 1960s B movies and counterculture, the works of Ellen Rogers, and the surreal landscape of the seaside Welsh town where she lives and works, Clare Marie Bailey’s Polaroid self-portraits blur the lines between fantasy and reality.

Suzanne Révy's latest series, "A Murmur in the Trees," imparts a sense of solitude that has been both endured and embraced through each season of this past year during the pandemic. These triptychs lure you in with their subtle details and shifting light.

Diane Meyer’s “Berlin” investigates the former Berlin Wall using a combination of analog, digital, and mixed media processes that deceives the viewer to see pixelated sections that enhance a connection between forgetting and file corruption.

Cody Bratt’s series “The Other Stories,” continues by using his great-grandfathers collection of negatives to explore a darker narrative of family history. The artist’s hand becomes evident as Bratt uses mixed media processes to create unique and tactile analog objects.

Crisis of Experience is the result of an eight-year project by J.K. Lavin exploring themes of self-reflection and female identity using the mechanics of seriality from behind a mirror with a Polaroid SX-70.