Ever wondered how an artist finds their personal “voice” in photography? Meet Jeffrey Sass, whose new body of work, “Internal Views,” beautifully demonstrates a transformation from straightforward documentation to layered, narrative-driven art pieces.

Michelle Rogers Pritzl’s work explores the tension between past and present in our psychological lives, as well as the photographic medium itself, often working in a digital/analogue hybrid and using historic alternative processes. We shine a light on her recent collection of work, “Not Waving But Drowning” in our exclusive interview.

London based artist, Aliki Braine, makes images that highlight the materiality of analog photography. By cutting up, folding, stickering and punching holes in negatives, she asks her viewers to slow down and reconsider what a photograph is and reminds of photography’s roots as something to be held and revered as on object.

Recent recipient of CENTER’s Environmental Award, Ella Morton presents her ongoing body of work, “The Dissolving Landscape,” a series of experimental analog photographs that examine climate change in the Arctic and Subarctic landscapes of Canada and Nordic Europe.

Cary Norton and Jared Ragland’s collaborative series "Where You Come From is Gone" explores the history that occurred in the American South between Hernando DeSoto’s first exploitation of native peoples in the 16th century and Andrew Jackson’s Indian Removal Act 300 years later.