Vincent Ricardel’s series “The Way Back” was created with a Hasselblad 500 CM camera and 19+-year-old Kodak Black and White Verichrome Pan film. His series masterfully challenges the notion that there are no frontiers left in the American West.

Taking landscape photography to a new level, Tara A. Cronin’s new series “Winds” uses transparency film, archival inks, and her own blood to create work reminiscent of star maps or ancient genetic code.

In an effort of catharsis, to capture and recreate the tension and pandemonium felt on the streets of Hong Kong in photographic form, Zhou HanShun embarked to create his series and now book, Frantic City.

Heikki Leis's series "Chronovores" embody the eternal argument that time itself has been created by man, and by association, man has imprisoned itself into a world ruled by minutes, hours, and days.