Embark on a visual journey with Debbie Bentley, a creative force navigating the diverse landscapes of photography. Bentley's story is a testament to the limitless possibilities of creativity, proving that true art can emerge from a tapestry woven with hard knocks, research, and experimentation.

Minneapolis-based photographer Renee Paiement captures light dancing across an image, as if it were a character in the frame in her project, “Days of Heaven,” an homage to the Terrence Malick film of the same name.

Using instant-film double exposures, Germany-based photographer Laetitia Heisler takes viewers on a healing journey through the woods, camera in tow, sharing how she sees life as “a continuous transformation” in her series, Forest is a Temple. “Everyone and everything are intertwined.”

Spend time with the photographs and words from this interview with photographic artist Marcus DeSieno. His ongoing project, "Geography of Disappearance," is a brutally honest examination of the crisis at the US/Mexico border from the perspective of landscape photography.

Enter the realm of Lenny Gerard, a visionary artist who juxtaposes day and night shots of architectural marvels in an arresting critique of capitalism. Gerard's work, as captivating as it is contemplative, challenges the viewer to consider the implications of a system that values work over life, and productivity over creativity.

System Error, a thought-provoking photo series by Italian artists Silvia Pedrina and Leonardo Brentan, a.k.a Sileō, challenges perceptions of our growing relationship with technology. Combining traditional photography with digital techniques, the series offers a fascinating exploration of the intersection between the physical and digital realms.

Maureen Mulhern-White, a British-American self-taught photographer, creates mystical landscapes that captivate audiences with their dream-like qualities. Her innovative photo series, The Continuum, features photograms printed on vellum paper and backed with silver or gold leaf. These enchanting images showcase a variety of creatures and natural elements, revealing our shared connection to the universe.

Jim Steg (1922-2001) was an inventive artist and esteemed educator who lived in New Orleans. A celebrated printmaker, he became interested in photography late in his career. Barbara Hitchcock, who served as Curator of The Polaroid Collection, writes about his explorations with the SX-70 and shares rarely seen instant photography explorations from the artist.

Texas-based Liz Potter’s photography is as much about the journey as it is about the destination. “My print sessions can last anywhere from four hours to eight and sometimes the only reason I stop is when my print washer is full, and I have to pause long enough to realize I’m tired. Printing, to me, is another layer of expressing an image.”

Brooklyn-based photographer Josh Lee uses his black and white negatives as a springboard for his manipulated images. By introducing bleach, food coloring, and paint directly to his negatives, he creates surreal images which illustrate the hidden psychological realities of ourselves and the world around us.

Italian photographer Felicita Russo’s instant film based creations of extraterrestrial worlds and breathtaking future landscapes bridge the gap between traditional painting, contemporary art, and science fiction. Through her work, she pushes the boundaries of contemporary light painting to new frontiers.

Victoria Kosel quite literally destroys her photographs, only to create them anew. Her sliced and diced prints are reborn into fragmented scenes that force the brain to fill in the gaps that challenge the ideas of traditional landscape photography.

British photographer Ian Hill explores the rugged Cumbrian countryside investigating the psychological connection we find in and with the landscape. Intertwining words and images, in zines or on the web, he creates modern mythologies which explore the perpetual relationship between man and nature.

Liz Albert’s series, Family Fictions, take us on a journey back in time to explore family and social dynamics in the 50s and 60s through photographic slides that she has found, purchased, and combined into diptychs.