CLOSED | Call for Entry: Online Group Exhibition - "Through Many Dangers” June 2022

 

© Rachel Phillips, “Still from Ghost Light Theaters, 2019”

We are excited to announce that our June 2022 online group exhibition, “Through Many Dangers,” is being curated by Heather Snider, the Executive Director of PhotoAlliance! The deadline for submissions is May 30th, 2022. To enter, all you need to do is read and respond to the following prompt with your analog photography. The best of these images will be showcased in an online show, beginning July 18th, 2022. Good luck!

Prompt: When I was a kid, I lived with my grandparents for a few years in rural Virginia. One of my formative memories from that period is of my grandfather singing “Amazing Grace” at our tiny local Baptist church on Sundays. I was mesmerized by the emotional resonance of his bass voice as this otherwise reserved Southern gentleman bellowed the words with all his heart. It was his favorite song. He told me so, and it was clearly true. During services, I anticipated the moment in the middle of the song when he sang the line…”Through many dangers, toils and snares, we have already come….” making everything around me seem to quiver. As I grew older, I came to understand the long, wide reach of this song, over many years and peoples, and I was recently brought to tears by Aretha Franklin’s performance in the Amazing Grace documentary film (2018 release, 1972 performance), if you haven’t seen it you must!

Throughout the last two years, with many difficult challenges and times of despair, “through many dangers…” has circled round in my thoughts, as lines like that tend to do. I’ve pieced apart the idea of “through” and what it means to be “through” something: to be in it and moving out of it at the same time, a journey, a passage, a process. And all the dangers we have experienced, on scales at once intimate and incomprehensibly vast, often unbearable, and yet time marches on taking us with it.

For this exhibition, I’d love to see visualizations of dangers in both literal and cathartic spirit, and the experience of getting through it: what you’ve seen, what you’ve felt, how you have coped, or not, with any of the many challenges of the past two years.

A special thank you to my friend Rachel Phillips with whose permission I share this image of hers, published in one of her enchanting risograph ‘zines from late 2020, which I latched onto sometime in the thick of it all and continue to revisit in my mind’s eye.

Deadline for Submissions is May 31st, 2022


About the Curator


Heather Snider is the executive director of PhotoAlliance, a non-profit based in San Francisco. She has worked for 30 years in the field of fine art photography, beginning her career at Vision Gallery in San Francisco and including tenures as the director at Scott Nichols Gallery and SF Camerawork. Heather has written about photography extensively for national and international publications and curated numerous exhibitions in the United States, China, and South Africa. She currently serves on the Board of Trustees at Center for Photographic Art (Carmel). 

Connect with PhotoAlliance now on their Website and Instagram!


Submission Guidelines: 


Image Specifications:
1) Only .jpg files will be accepted.
2) Images must be 1500px on the shortest side at 72dpi.
3) No photo-shopped borders or watermarks. 
4) Only one image may be submitted.
5) Image must be named in the following format: “FirstNameLastName1.jpg”, etc.

Email Specifications:
1) The subject line of your email should state: "Submission: Through Many Dangers”
2) Please ATTACH your images to the email NOT INSIDE the email. Do not embed them. Do not attach a google drive or dropbox link. 
3) Include your information in the format requested (see below).
4) Format Request: “Title” by Your Name | Camera + Film, Process - Your URL

Send your submission to submissions@analogforevermagazine.com by May 31st, 2022.

Note: Due to the large number of submissions we receive, you may not receive a response. Though we try our best to respond to everyone, we do not guarantee a response. Thank you for understanding.

Copyright Information:

By submitting photos for publication in Analog Forever Magazine you are stipulating to us that you own copyright to these photographs or have permission from the copyright holder to submit these photographs. You are granting Analog Forever Magazine a non-exclusive license to use the photograph in its submitted form, subject to re-sizing to fit the magazine format, for publication on the Analog Forever Magazine website for as long as the website exists. You also grant Analog Forever Magazine permission to use these photographs on social media accounts connected to Analog Forever Magazine including but not limited to Facebook, Twitter, and Instagram. Should you, for any reason, wish your photographs to be removed from the website, we will make every effort to do so. However, please note also that third parties such as educational institutions, search engines or individuals may download, save, store or archive this (or any other) website with or without our knowledge. Analog Forever Magazine will have no control over such downloading and subsequent use and therefore cannot accept responsibility for any such use.


 
Michael Behlen
Michael Behlen is a photography enthusiast from Fresno, CA. He works in finance and spends his free time shooting instant film and seeing live music, usually a combination of the two. He has self- published two Polaroid photobooks--“Searching for Stillness, Vol. 1” and “I Was a Pioneer,” literally a boxed set of his instant film work. He exhibited a variety of his photos at Raizana Teas, a Fresno tea room and health food store; his work there, “Polaroid Prints of Landscapes and Strangers,” was up for viewing during the months of June and July, 2014. He has been published, been interviewed, and been reviewed in a quantity of magazines, from” F-Stop” and “ToneLit” to “The Film Shooter’s Collective.” He loves the magic sensuality of instant film: its saturated, surreal colors; the unpredictability of the medium; it’s addictive qualities as you watch it develop. Behlen is the founder and Publisher of “Pryme Magazine.” You can see his work here: www.dontshakeitlikeapolaroid.com
www.prymemagazine.com
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CLOSED | Call for Entry: Online Group Exhibition - "Waiting” May 2022