CLOSED | Call for Entry: Online Group Exhibition - "Myths and Fables” April 2022

 

“Starlit Spine” © Ellen Goodman 

We are excited to announce that our April 2022 online group exhibition, “Myths and Fables,” is being curated by Film Shooters Collective Curator, Amy Jasek! The deadline for submissions is March 31st, 2022! To enter, all you need to do is read and respond to the following prompt with your analog photography. The best of these images will be showcased in an online show, beginning April 18th, 2022. Good luck!

Amy Jasek writes: Mine is a family of readers. We are book people. My father's profession, inherited from his father, was bookbinding, and film photography was his passion. He taught me that a photograph "has to have something to say," whether it is of a person, a street, a landscape, a dog, an arrangement of fruit, a single, luminous shell. Every picture tells a story, and every life tells one too. All of us are books, still being written, constantly unfolding, creating our own adventures within the framework of our environment; every family has its own myths and fables, every animal is an allegory, every tree has a face.  

So, go on then:  tell me a story. Delve into fables and myths, make up your own, be literal or abstract. I would like to see what you can do with this call within the confines of a camera, but I am open to other analog processes as well. When imagination meets reality, it definitely has something to say.  

 

tell me a story
let it rise out of 
the ashes of your history
a photon-breathing phoenix 
shooting darts of meaning
through your lens


mix fact and fancy
with a cocktail stick
plucked from the night sky

throw in heaping measures of hidden lore  

put your eye to the keyhole
of the darkened room 
and reverse the image

talk to the animals
write what they say
in a frame full of light

show me a story
make it up along the way
let a fraction of time
reveal what it has to say

 

Deadline for Submissions is March 31st, 2022


About the Curator


Native Texan and photographer’s daughter, Amy Jasek graduated from the University of Texas at Austin with a Bachelor of Arts in Theatre and Dance in 1999. She took up photography seriously in 2003, and began exhibiting her darkroom prints in 2009. The main focus of her work is narrative / candid and documentary in nature; people are what she enjoys photographing most, but she can find joy in photographing just about anything. She also writes, plays the piano, and makes an obsessive amount of cyanotypes when the mood strikes.  

For the past bunch of years, Amy has been a website manager and Instagram curator for the Film Shooters Collective. She enjoys getting the members and their online community involved in projects and encouraging people to use traditional analog methods for making photographs.  She has also curated the World Cyanotype Day Instagram, for the love of the process and her friend Judy Sherrod.  

Connect with Amy Jasek on her Website and Instagram!


Submission Guidelines: 


Image Specifications:
1) Only .jpg files will be accepted.
2) Images must be 1500px on the shortest side at 72dpi.
3) No photo-shopped borders or watermarks. 
4) Only one image may be submitted.
5) Image must be named in the following format: “FirstNameLastName1.jpg”, etc.

Email Specifications:
1) The subject line of your email should state: "Submission: Myths and Fables”
2) Please ATTACH your images to the email NOT INSIDE the email. Do not embed them. Do not attach a google drive or dropbox link. 
3) Include your information in the format requested (see below).
4) Format Request: “Title” by Your Name | Camera + Film, Process - Your URL

Send your submission to submissions@analogforevermagazine.com by March 31st, 2022.

Note: Due to the large number of submissions we receive you may not receive a response. Though we try our best to respond to everyone, we do not guarantee a response. Thank you for understanding.

Copyright Information:

By submitting photos for publication in Analog Forever Magazine you are stipulating to us that you own copyright to these photographs or have permission from the copyright holder to submit these photographs. You are granting Analog Forever Magazine a non-exclusive license to use the photograph in its submitted form, subject to re-sizing to fit the magazine format, for publication on the Analog Forever Magazine website for as long as the website exists. You also grant Analog Forever Magazine permission to use these photographs on social media accounts connected to Analog Forever Magazine including but not limited to Facebook, Twitter, and Instagram. Should you, for any reason, wish your photographs to be removed from the website, we will make every effort to do so. However, please note also that third parties such as educational institutions, search engines or individuals may download, save, store or archive this (or any other) website with or without our knowledge. Analog Forever Magazine will have no control over such downloading and subsequent use and therefore cannot accept responsibility for any such use.


 
Michael Behlen
Michael Behlen is a photography enthusiast from Fresno, CA. He works in finance and spends his free time shooting instant film and seeing live music, usually a combination of the two. He has self- published two Polaroid photobooks--“Searching for Stillness, Vol. 1” and “I Was a Pioneer,” literally a boxed set of his instant film work. He exhibited a variety of his photos at Raizana Teas, a Fresno tea room and health food store; his work there, “Polaroid Prints of Landscapes and Strangers,” was up for viewing during the months of June and July, 2014. He has been published, been interviewed, and been reviewed in a quantity of magazines, from” F-Stop” and “ToneLit” to “The Film Shooter’s Collective.” He loves the magic sensuality of instant film: its saturated, surreal colors; the unpredictability of the medium; it’s addictive qualities as you watch it develop. Behlen is the founder and Publisher of “Pryme Magazine.” You can see his work here: www.dontshakeitlikeapolaroid.com
www.prymemagazine.com
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CLOSED | Call for Entry: Online Group Exhibition - "Waiting” May 2022

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CLOSED | Call for Entry: Online Group Exhibition - "Fabricated Realities” March 2022